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Photographing Through Glass: Lessons from the Aquarium
Photography Bees' Knees Creatives Photography Bees' Knees Creatives

Photographing Through Glass: Lessons from the Aquarium

Aquarium photography sounds simple until you try it: you're shooting through glass, in low light, at subjects that don't hold still and don't take direction. I spent an afternoon at OdySea in Scottsdale finding out exactly how many of my usual instincts don't apply once there's a tank wall between me and the fish.

The jellyfish were the easiest win of the day, by a wide margin. Whatever lighting the tank was using threw the water a deep, saturated blue, which meant the orange and rust-colored jellyfish practically glowed against it, pure complementary colors doing half the composition work for me. They also barely move with any speed, drifting rather than swimming, which meant I actually had time to focus and frame instead of firing blind and hoping.

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The Hawk, the Lizard, and the Heron I Almost Missed
Photography Bees' Knees Creatives Photography Bees' Knees Creatives

The Hawk, the Lizard, and the Heron I Almost Missed

These four photos came out of three completely different outings: a park visit that turned into a hawk-rescue misunderstanding, a hike at Pinnacle Peak, and an afternoon at the pond that started with one bird and ended with two. None of them were the shot I actually planned on getting.

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Three Jobs, Three Headspaces.
Creative Business, Photography, Design, Writing Bees' Knees Creatives Creative Business, Photography, Design, Writing Bees' Knees Creatives

Three Jobs, Three Headspaces.

No single day at BKC looks the same. Some mornings I'm behind a camera by six am, or earlier depending on the season, editing images by ten, and drafting a blog post by two. Other days I sit down with a novel chapter at eight in the morning and I'm still there at six that night, having barely moved from the chair.

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What a Dragonfly Taught Me About Photography
Photography Bees' Knees Creatives Photography Bees' Knees Creatives

What a Dragonfly Taught Me About Photography

Everyone assumes a dragonfly shot comes down to reflexes. Fast hands, fast shutter, right place at the right time. I believed that too, for about two weeks.

Those two weeks were humbling. I'd spot one perched on a reed, wings catching the light just right, and I'd move in for the shot, only to watch it lift off the instant I got close enough to focus. I'd find it twenty feet away, try, and lose it again. I did this for the better part of an afternoon at a pond, sweating, half-crouched, convinced the problem was my speed. I just needed to move faster, get closer quicker, beat the dragonfly to the punch.

I never caught the dragonfly. Not once.

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